@gnf_mtl is an explorer of the streets and alleys of Vancouver. They sent a field report checking in on a spectacular mural on the site of land that once housed Vancouver's black population until they were displaced by the construction of the Georgia and Dunsmuir Viaducts.
GNF: Vancouver Mural Festival has been taking racial and gender inclusivity to heart over the last few years, consciously bringing a diverse line-up of artists and events to our city's streets. Expanding their reach while adding local First Nation and Asian artists and themes were obvious choices but Anthony Joseph's "Hope Through Ashes: A Requiem for Hogan's Alley" was thoughtful and timely. Especially given the continued momentum of the Black Lives Matter movement and rising awareness of the history of this once small but significant neighbourhood bordering both Chinatown and Strathcona - two powerful, minority driven communities in the Downtown Eastside. Emblazoning with his art the very device that displaced the Black community long ago is a bold statement and powerful placement that will last as a strong reminder for years to come. At least, until they pull down the hulking concrete viaducts like so many statues of historical leaders from previous generations in our nation's controversial past. All the photos here show Joseph's piece as a work-in-progress, much like the small steps we continue to take towards finally reconciling a society that can hopefully one day prosper together in peace and harmony.
You can find Anthony Joseph's "Hope Through Ashes: A Requiem for Hogan's Alley" on the West side of Main Street along Union Street on the viaduct. Follow the artist at @adoworks and check out the Hogan's Alley Society to learn more about the displacement of black Vancouverites and the future of this area.
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